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- Carter Beats The Devil Mobi Download Book ♥ ♥. Contents. Plot introduction The 1920s was a golden age for and Charles Carter is.
- The title of the novel comes from Carter's evening length stage show, the third act of which is called 'Carter Beats The Devil' and features Carter in a magician's duel with an assistant made up as the Devil. The 1920s was a golden age for stage magic and Charles Carter is an American stage magician at the height of his fame and powers.
Charles Carter, dubbed Carter the Great by Houdini himself, was born into privilege but became a magician out of need: only when dazzling an audience can he defeat his fear of loneliness. But in 1920s America the stakes are growing higher, as technology and the cinema challenge the allure of magic and Carter's stunts become increasingly audacious. Until the night President Harding takes part in Carter's act only to die two hours later, and Carter finds himself pursued not only by the Secret Service but by a host of others desperate for the terrible secret they believe Harding confided in him. Seamlessly blending reality and fiction, Gold lays before us a glittering and romantic panorama of our modern world at a point of irrevocable change. Charles Carter, dubbed Carter the Great by Houdini himself, was born into privilege but became a magician out of need: only when dazzling an audience can he defeat his fear of loneliness.
But in 1920s America the stakes are growing higher, as technology and the cinema challenge the allure of magic and Carter's stunts become increasingly audacious. Until the night President Harding takes part in Carter's act only to die two hours later, and Carter finds himself pursued not only by the Secret Service but by a host of others desperate to discover the terrible secret they believe Harding confided in him. Seamlessly blending reality and fiction, Gold lays before us a glittering and romantic panorama of our modern world at a point of irrevocable change. A quintessentially American epic, Sunnyside stars the one and only Little Tramp, Charlie Chaplin.
It’s 1916 and, after an extraordinary mass delusion where Chaplin is spotted in more than eight hundred places simultaneously, his fame is at its peak but his inspiration is at a low. As he struggles to find a film project as worthy as himself, we are introduced to a dazzling cast of characters that take us from the battlefields of France to the Russian Revolution and from the budding glamour of Hollywood to madcap Wild West shows. The result is a spellbinding novel about dreams, ambition, and the birth of modern America.
From the Trade Paperback edition. The response to Glen David Gold's debut novel, Carter Beats the Devil, was extraordinary. He hypnotized us with his portrait of a 1920s magic-obsessed America and of Charles Carter-a.k.a.
Carter the Great-a young master performer whose skill as an illusionist exceeded even that of the great Houdini. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical and sometimes dangerous world, where illusion is everything. Glen David Gold's literary debut dazzled critics and fans from coast to coast. Now Carter's center stage for a spectacular paperback. The response to Glen David Gold's debut novel, Carter Beats the Devil was extraordinary. He hypnotized us with his portrait of a 1920s magic-obsessed America and of Charles Carter - a.k.a. Carter the Great - a young master performer whose skill as an illusionist exceeded even that of the great Houdini.
Filled with historical references that evoke the excesses and exuberance of Roaring Twenties pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical and sometimes dangerous world, where illusion is everything. From the best-selling author of Carter Beats the Devil and Sunnyside, a big-hearted memoir told in three parts: about growing up in the wake of the destructive choices of an extremely unconventional mother. Glen David Gold was raised rich, briefly, in southern California at the end of the go-go 1960s. But his father's fortune disappears, his parents divorce, and Glen falls out of his well-curated life and into San Francisco at the epicenter of the Me Decade: the inimitable '70s. Gold grows up with his mother, among con men and get-rich schemes.
Then, one afternoon when he's twelve, she moves to New York without telling him, leaving him to fend for himself. I Will Be Complete is the story of how Gold copes, honing a keen wit and learning how to fill in the emotional gaps: 'I feel love and then it's like I'm driving on black ice with no contact against the road.' He leads us though his early salvation at boarding school; his dream job at an independent bookstore in Los Angeles in 1983; a punk rock riot; a romance with a femme fatale to the soundtrack of R.E.M.; and his attempts to forge a career as a writer. Along the way, Gold becomes increasingly fascinated with his father's self-described 'cheerful amorality' and estranged from his mother, who lives with her soulmate, a man who threatens to kill her. Clear-eyed and heartbreaking, Gold's story ultimately speaks to everyone who has struggled with the complexity of parental bonds by searching for-and finding-autonomy. At the end of what is (she cannot help observing) an extraordinary life, Elisabeth Rother has decided to write her memoirs.
She brushes aside her narrow escape with her Jewish husband from the Nazis, and the perilous voyage to the New World of New Jersey. The subject that really consumes her is the waywardness of her impossible daughter, Renate, and her granddaughter, Irene. Renate performs autopsies on the bodies of politicians whom death has harvested in the nighttime arms of their mistresses.
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Worse, she sleeps on unironed sheets. Irene drops out of school to roam the world, refuses to correct her nose with plastic surgery, and shows alarming signs of enjoying sex. What is to be done with such women? A curiously touching love letter to the difficult but sustaining love of mothers and daughters, The Empress of Weehawken is a masterpiece of comedy with an unexpected lilt of redemption at its close. An extraordinary memoir about finding wonder in everyday life, from magician Nate Staniforth. Nate Staniforth has spent most of his life and all of his professional career trying to understand wonder-what it is, where to find it, and how to share it with others.
He became a magician because he learned at a young age that magic tricks don't have to be frivolous. Magic doesn't have to be about sequins and smoke machines-rather, it can create a moment of genuine astonishment. But after years on the road as a professional magician, crisscrossing the country and performing four or five nights a week, every week, Nate was disillusioned, burned out, and ready to quit.
Instead, he went to India in search of magic. Here Is Real Magic follows Nate Staniforth's evolution from an obsessed young magician to a broken wanderer and back again. It tells the story of his rediscovery of astonishment-and the importance of wonder in everyday life-during his trip to the slums of India, where he infiltrated a three-thousand-year-old clan of street magicians.
Here Is Real Magic is a call to all of us-to welcome awe back into our lives, to marvel in the everyday, and to seek magic all around us. INTERNATIONAL BESTSELLER In the Hugo-award winning, epic New York Times Bestseller and basis for the BBC miniseries, two men change England's history when they bring magic back into the world. In the midst of the Napoleonic Wars in 1806, most people believe magic to have long since disappeared from England - until the reclusive Mr. Norrell reveals his powers and becomes an overnight celebrity. Another practicing magician then emerges: the young and daring Jonathan Strange. He becomes Norrell's pupil, and the two join forces in the war against France. But Strange is increasingly drawn to the wild, most perilous forms of magic, and he soon risks sacrificing his partnership with Norrell and everything else he holds dear.
Susanna Clarke's brilliant first novel is an utterly compelling epic tale of nineteenth-century England and the two magicians who, first as teacher and pupil and then as rivals, emerge to change its history. Stylish historical fiction in the tradition of True Grit and Carter Beats the Devil, A Hanging at Cinder Bottom is an epic novel of exile and retribution, a heist tale and a love story both. The year is 1910. Halley’s Comet has just signaled the end of the world, and Jack Johnson has knocked out the “Great White Hope,” Jim Jeffries. Keystone, West Virginia, is the region’s biggest boomtown, and on a rainy Sunday morning in August, its townspeople are gathered in a red-light district known as Cinder Bottom to witness the first public hanging in over a decade. Abe Baach and Goldie Toothman are at the gallows, awaiting their execution. He’s Keystone’s most famous poker player; she’s the madam of its most infamous brothel.
Abe split town seven years prior under suspicion of armed robbery and murder, and has been playing cards up and down the coast, hustling under a variety of pseudonyms, ever since. But when he returns to Keystone to reunite with Goldie and to set the past right, he finds a brother dead and his father’s saloon in shambles—and suspects the same men might be responsible for both. Only then, in facing his family’s past, does the real swindle begin. Glenn Taylor, a finalist for the National Book Critics Circle Award, has a unique voice that breathes life into history and a prose style that snaps with lyricism and comedy. A DEBUT NOVEL OF DARING ORIGINALITY, THE YID GUARANTEES THAT YOU WILL NEVER THINK OF STALINIST RUSSIA, SHAKESPEARE, THEATER, YIDDISH, OR HISTORY THE SAME WAY AGAIN Moscow, February 1953. A week before Stalin's death, his final pogrom, 'one that would forever rid the Motherland of the vermin,' is in full swing.
Three government goons arrive in the middle of the night to arrest Solomon Shimonovich Levinson, an actor from the defunct State Jewish Theater. But Levinson, though an old man, is a veteran of past wars, and his shocking response to the intruders sets in motion a series of events both zany and deadly as he proceeds to assemble a ragtag group to help him enact a mad-brilliant plot: the assassination of a tyrant. While the setting is Soviet Russia, the backdrop is Shakespeare: A mad king has a diabolical plan to exterminate and deport his country's remaining Jews. Levinson's cast of unlikely heroes includes Aleksandr Kogan, a machine-gunner in Levinson's Red Army band who has since become one of Moscow's premier surgeons; Frederick Lewis, an African American who came to the USSR to build smelters and stayed to work as an engineer, learning Russian, Esperanto, and Yiddish; and Kima Petrova, an enigmatic young woman with a score to settle.
And wandering through the narrative, like a crazy Soviet Ragtime, are such historical figures as Paul Robeson, Solomon Mikhoels, and Marc Chagall. As hilarious as it is moving, as intellectual as it is violent, Paul Goldberg's THE YID is a tragicomic masterpiece of historical fiction. The story of the greatest illusionist of modern times and the man who conjured victory in the desert - to be made into a film starring Tom Cruise Jasper Maskelyne was a world famous magician and illusionist in the 1930s. When war broke out, he volunteered his services to the British Army and was sent to Egypt where the desert war had just begun. He used his skills to save the vital port of Alexandria from German bombers and to 'hide' the Suez Canal from them.
He invented all sorts of camouflage methods to make trucks look like tanks and vice versa. On Malta he developed 'the world's first portable holes': fake bomb craters used to fool the Germans into thinking they had hit their targets.
His war culminated in the brilliant deception plan that won the Battle of El Alamein: the creation of an entire dummy army in the middle of the desert. Rob Spillman—the award-winning, charismatic cofounding editor of the legendary Tin House magazine—has devoted his life to the rebellious pursuit of artistic authenticity. Born in Germany to two driven musicians, his childhood was spent among the West Berlin cognoscenti, in a city two hundred miles behind the Iron Curtain.
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There, the Berlin Wall stood as a stark reminder of the split between East and West, between suppressed dreams and freedom of expression. After an unsettled youth moving between divorced parents in disparate cities, Spillman would eventually find his way into the literary world of New York City, only to abandon it to return to Berlin just months after the Wall came down. Twenty-five and newly married, Spillman and his wife, the writer Elissa Schappell, moved to the anarchic streets of East Berlin in search of the bohemian lifestyle of their idols.
But Spillman soon discovered he was chasing the one thing that had always eluded him: a place, or person, to call home. In his intimate, entertaining, and heartfelt memoir, Spillman narrates a colorful, music-filled coming-of-age portrait of an artist’s life that is also a cultural exploration of a shifting Berlin. 'In 1919, the four Turner sisters and their parents are barely scraping along. Their father is a low-paid boot stitcher in Johnson City, NY, and the Turners are always one paycheck away from eviction. When their father's hand is crushed and he's forced to quit, their domineering mother decides that the vaudeville stage is their best-and only-chance for salvation. With everything at stake, the Tumbling Turners take to the road and the four young women, teenagers Gert, Winnie, and Kit, and Nell, a 22-year-old new mother and recent widow of the Great War, are soon immersed in the tumultuous world of American Vaudeville on a nine-city tour that will make or break them. Swindlers and ne'er-do-wells await in abundance, but so does kindness, and just maybe a chance at love.
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Equal parts heartwarming, charming, and reflective, The Tumbling Turner Sisters is the story of the sacrifices we make in the name of family, and how the most unlikely choice can ultimately be the one to lead us toward our truest selves'. From 'City Lights' to 'Knocked Up,' this history examines American film from the perspective of its unwanted stepbrother, the comedy, and puts the comic titans of the present in the context of their predecessors. The 30 chapters and 100 essays follow the connections that link Mae West to Marilyn Monroe and W. Fields to Will Ferrell.
Offering unvarnished insight into comedians and directors such as Buster Keaton, Christopher Guest, Eddie Murphy, and Ben Stiller, this eye-opening, entertaining, and enlightening tour encompasses the masterpieces, the box-office smashes, and all the little-known gems in between. Laurel and Hardy, Marilyn Monroe, Peter Sellers, Mel Brooks, Richard Pryor, Steve Martin, and the Coen Brothers are among others profiled, while a list of the top-100 American film comedies is also included.